THE
ART OF RON NOGANOSH
RON NOGANOSH’s sculptural
assemblages integrate aspects
of his Ojibway heritage with contemporary civilization’s
garbage to create scathingly ironic comments on ecology,
racism and socio-economic hierarchies. His goal is to
encourage viewers to think, to cry, to laugh and to
try to make a change. His work has been exhibited at
the National Gallery and the Museum of Civilization
in Canada, the Smithsonian’s National Museum of
the American Indian, the Ethnological Museum of Russia,
and the Museo Nacional de Mexico amongst others. His
solo retrospective Ron Noganosh: It Takes Time toured
Canada from 2000 - 2003. In the summer of 2004, his
work was exhibited at the Musée National des
Beaux Arts de Québec in Double Jeu:Identité
et Culture along with works by Willie Cole of New York
and Richard Purdy of Quebec. The publications, "Ron
Noganosh: It Takes Time", by Lucy Lippard and Tom
Hill and "Double Jeu: Identité et Culture,
by Joyceline Lupien and Jean-Philipe Uzel feature his
sculpture.
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THE ART OF ROSALIE FAVELL
ROSALIE FAVELL was born and raised
in Winnipeg, Manitoba. Much of her work draws upon both
her family history and Métis (Cree/English) heritage
that goes
back many generations in the Winnipeg and surrounding
areas. She also uses other sources to present a complex
self-portrait of her experiences as a contemporary aboriginal
woman. In addition to scouring her family albums for
visual material, she finds inspiration in popular culture,
and has incorporated a number of Warrior women from
television series and movies into her works. Recent
work undertakes a spiritual quest, drawing upon a number
of religions and beliefs. In 1998, she earned an MFA
from the University of New Mexico, Albuquerque, NM.
She is currently enrolled in a PhD program in Cultural
Mediations at Carleton University.
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