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By Barry Ace

Norval Morisseau: Artist As Shaman READ MORE >

The Way Ahead:
Surveying The Curatorial Landscape
READ MORE >

The Way Ahead: Surveying The Curatorial Landscape
(Colloquium Panel and Presentation Overview) READ MORE >

 

By Jason Baerg

Brian Jungen: More Than A Curator"s Artist :
An Exhibition Review READ MORE >

 

By David Garneau

Bob Boyer and Jeff Thomas READ MORE >
[Originally published: “Bob Boyer and Jeff Thomas"
BorderCrossings #94 2005: 108-9.]

Dana Claxton's Sitting Bull and the Moose Jaw Sioux READ MORE >
[Originally published: "Dana Claxton: Sitting Bull and the Moose Jaw Sioux." Vie des Arts #197 2004: 93.]

Frank Shebageget: Quantification READ MORE >
[First published as a catalogue essay for Tribe, 2003]

Kevin McKenzie | Re-Animator READ MORE >
[Originally published online for GalleriesWest, 2006]

 

By Richard H. Hill

Lost and Found in Translation:
Language and Contemporary Indigenous Art READ MORE >

 

by Robert Houle

Museums After Modernism READ MORE >

 

By Heather Igloliorte

Inuit Art, Made By The Book? READ MORE >

 

by Nancy Marie Mithlo

Being and Belonging: the State of the Field READ MORE >

 

by John Moses

Concerns at the Canadian Conservation Institute’s Symposium READ MORE >

 

By Karen Pheasant

The Malady Of The Jingle Dress? READ MORE >

 

by Juane Quick-to-See-Smith

“Where Are All The Great Collections of Contemporary Native American Art? …Are The Barbarians At The Gate?”? READ MORE >

 

Miscellaneous

Beyond The Liner: The Masks of Brian Jungen
The Dunlop Art Gallery, Regina,
April 29 - June 18, 2000 READ MORE >
[BorderCrossings, Vol.19 #4, November 2000.]

Bonnie Divine: Curator Profile READ MORE >

Ryan Rice: Curator Profile READ MORE >

In Loving Memory Of Ahasiw Maskegon-Iskwew READ MORE >

The Way Ahead: Surveying The Cultural Landscape
Review By Linda Grussani READ MORE >

The Discourse Of Authenticity In Canadian Aboriginal Art
Excerpt From William Kingfisher's Master Thesis READ MORE >

In Loving Memory Of Norval Morrisseau READ MORE >




The ACC Gratefully Acknowledges the support and financial assistance of the Canada Council for the Arts.


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