By
Barry Ace
NORVAL
MORRISSEAU: ARTIST AS SHAMAN READ
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In tandem with Norval Morrisseau’s upcoming
exhibition at Canada’s National Gallery, artist/curator
Barry Ace examines the myths of Morrisseau’s “Ishi-like”
primitivism, his exotic Anishnaabe heritage and sacred
Midewiwin spiritual teachings that created a public
symbol of Morrisseau as shaman.
THE
WAY AHEAD:
SURVEYING THE CURATORIAL LANDSCAPE
Prepared by Barry Ace
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THE
WAY AHEAD:
SURVEYING THE CURATORIAL LANDSCAPE
(Colloquium Panel and Presentation Overview)
Prepared by Barry Ace
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By Jason Baerg
BRIAN
JUNGEN: MORE THAN A CURATOR'S ARTIST
An Exhibition Review READ
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By David Garneau
BOB
BOYER and JEFF THOMAS READ
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[Originally published:
“Bob Boyer and Jeff Thomas. BorderCrossings #94
2005: 108-9.]
DANA
CLAXTON'S SITTING BULL and
the MOOSE JAW SIOUX READ
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[Originally published:
"Dana Claxton: Sitting Bull and the Moose Jaw Sioux."
Vie des Arts #197 2004: 93.]
FRANK
SHEBAGEGET: QUANTIFICATION
READ
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[First published as a
catalogue essay for Tribe, 2003]
KEVIN
MCKENZIE | RE-ANIMATOR
MacKenzie Art Gallery
July 19, 2006 to September 24, 2006
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[Originally published
online for GalleriesWest, 2006]
By Robert Houle
THE
POLITICS OF REPRESENTATION
The keynote presentation from the 3rd Annual
ACC Colloquium - Shaq'asthut / Gathering Place
held in Vancouver, B.C. READ
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By Heather Igloliorte
INUIT ART, MADE BY THE BOOK?
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By Peter Morin
SHARING OUR STORIES ABOUT HOME
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By Karen Pheasant
THE
MALADY OF THE JINGLE DRESS? READ
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By France Trepanier
Artist, researcher and consultant
reports on the conference Aboriginal Words and Arts
Practices in Quebec Today, held on November 20 - 22,
2008 at the University of Montreal. Version in French
follows. READ
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Curator Profiles
BONNIE
DIVINE: Curator Profile READ
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CATHY
MATTES: Curator Profile READ
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RYAN
RICE: Curator Profile READ
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Miscellaneous
BEYOND THE ONE LINER: The
Masks of Brian Jungen
The Dunlop Art Gallery, Regina,
April 29 - June 18, 2000 READ
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[BorderCrossings, Vol.19
#4, November 2000.]
IN
LOVING MEMORY OF
AHASIW MASKEGON-ISKWEW READ
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The Banff Centre's International
Curatorial Institute held its symposium -- Trade Secrets:
Education/Collection/History in November 12 - 14, 2008
that critically examined the state of curatorial practice
today. Among a stellar who's who of a global curatorial
community, Aboriginal curators Pat
Deadman, Rose Spahan,
Ryan Rice,
Jason Baerg and Lara Evans
received scholarships to attend. Candice
Hopkins, director and curator of the exhibitions
program at The Western Front, Vancouver, and an instructor
in the critical and cultural studies department at the
Emily Carr University of Art and Design, Vancouver and
ACC member was among the panelists who discussed curatorial
education and presented her current research in the
form of a top ten list of influential or important sources
of inspiration such as exhibitions, texts, books, artworks,
films, and music. Candice Hopkins'
Top Ten List. READ
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THE DISCOURSE OF AUTHENTICITY
IN CANADIAN ABORIGINAL ART
EXCERPT FROM WILLIAM KINGFISHER'S
MASTER THESIS
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