ACC Bibliographic References

* Names in bold are Aboriginal writers.

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Danford, Joanne P., From Periphery To Centre: The Art Of Susan And Krista Point, Thunder Bay, ON: Thunder Bay Art Gallery 1989.

Deadman, Patricia, Between You and Me, London, ON: Museum London 2002.

Deadman, Patricia, Paul Seesequasis and Lynn Hill, Staking Land Claims, Banff, AB: Walter Phillips Gallery and The Banff Centre 1999.

DeMott, Barbara and Maureen Milburn, Beyond The Revival: Contemporary North West Native Art, Vancouver, BC: Charles H. Scott Gallery and Emily Carr College 1989.

Dickason, Olive Patricia, Indian Arts in Canada. Ottawa, ON: Information Canada (DIAND), 1972.

Dickens, Roy S., ed. Of Sky and Earth: Art of the Early Southeastern Indians. Georgia Department of Archives and History, 1982.

Diamond, Reid and Marnie Fleming, Beaver Tales, Oakville, ON: Oakville Galleries 2000.

Dinniwell, Norma and Tom Hill, From Masks To Maquettes, Ottawa, ON: INAC; Woodland Indian Cultural Centre; McIntosh Gallery 1985 – 1986.

Dion, Francois, Jen Budney and Micheline Dandurand, Bearings: Four Photographic Essays, Ottawa, ON: Gallery 101 2001.

Dobkins, Rebecca J., Carey T. Caldwell and Frank LaPena, Memory And Imagination: The Legacy Of Maidu Indian Artist Frank Day, Oakland, CA: Oakland Museum of California 1997.

Dockstader, Frederick, J. Indian Art in America. New York Graphic Society, 1975.

Douglas, Frederic Huntington, Indian Art of the United States. New York, NY: Museum of Modern Art, 1941.

Doxtator, Dr. Deborah and Lynn Hill, Godi'Nigoha': The Women's Mind, Brantford, ON: Woodland Cultural Centre, 1997.

Doxtator, Deborah, Fluffs And Feathers: An Exhibit On The Symbols Of Indianness, Brantford, ON: Woodland Cultural Centre 1992.

Doxtator, Deborah, ed., Revisions. Banff, Alberta: Walter Phillips Gallery, 1992

Doxtator, Deborah, “Basket, Bead and Quill, and the Making of “Traditional” Art.” In Basket, Bead and Quill. Thunder Bay, Ontario: Thunder Bay Art Gallery 1996.

Duffek, Karen, Northwest Coast Art: At a Crossroads. Galleries West, Vol. 4, No. 2, Summer.

Duffek, Karen, Robert Davidson: The Abstract Edge. UBC Museum of Anthropology, Museum Note No. 38, 2004.

Duffek, Karen, Bill Reid and Beyond: Expanding on Modern Native Art. Co-edited with Charlotte Townsend-Gault. Douglas & McIntyre, 2004 / 2005.

Duffek, Karen,s The Transforming Image: Painted Arts of Northwest Coast First Nations. UBC Press and University of Washington Press, 2000.

Duffek, Karen, Nuu-chah-nulth Voices, Histories, Objects and Stories (ed. Alan L. Hoover). Royal British Columbia Museum, 2000.

Duffek, Karen, “Joe David” In Encyclopedia of British Columbia (ed. Daniel Francis). Harbour Publishing, 2000.

Duffek, Karen, “Dancing Cookie, or Encounters in the Museum’s Sacred Space” In Review of Objects and Expressions. Books in Canada, Vol. 28, No. 7, October 1999.

Duffek, Karen, “Book Review: Bella Bella, A Season of Heiltsuk Art by Martha Black.” The American Indian Quarterly, Vol. 23, No. 3/4, 1999.

Duffek, Karen, “Northwest Coast Indian Art from 1950 to the Present” In the Shadow of the Sun: Perspectives on Contemporary Native Art. The Canadian Museum of Civilization, 1993.

Duffek, Karen, Curatorial Perspective. First Nations Art '91. Woodland Cultural Centre, 1991.

Duffek, Karen, The End of Indian Art. The Vancouver Step Magazine, January 1991.

Duffek, Karen, “Book Review: Captured Heritage, The Scramble for Northwest Coast Artifacts by Douglas Cole.” Anthropologica, Vol. 32, No. 3, 1990.

Duffek, Karen, Exhibitions of Contemporary Native Art. MUSE, Fall 1989.

Duffek, Karen, Beyond History. Co-authored with Tom Hill. Vancouver Art Gallery, 1989.

Duffek, Karen, Lyle Wilson: When Worlds Collide. UBC Museum of Anthropology, Museum Note 28, 1989.

Duffek, Karen, Bob Boyer: A Blanket Statement. UBC Museum of Anthropology, Museum Note 23, 1988.

Duffek, Karen, “Book Review: Bill Reid by Doris Shadbolt.” BC Studies, No. 76, Winter 1987.

Duffek, Karen, “It's Native: Where Do You Put It? A Northwest Coast Perspective.” In Native Studies Review, Vol. 3, No. 2, 1987.

Duffek, Karen, Totem and Potlatch. Craft International, July to September 1987.

Duffek, Karen, Bill Reid: Beyond the Essential Form. University of British Columbia Press and UBC Museum of Anthropology, Museum Note 19, 1986.

Duffek, Karen, New Visions: Serigraphs by Susan A. Point, Coast Salish Artist. UBC Museum of Anthropology, Museum Note 15, 1986.

Duffek, Karen, Museum Review: Horses Fly Too, Bob Boyer/Edward Poitras. Culture, Vol. V, No. 1, 1985.

Duffek, Karen, A Guide to Buying Contemporary Northwest Coast Indian Arts. UBC Museum of Anthropology, Museum Note 10, 1983.

Duffek, Karen, The Revival of Northwest Coast Indian Art. Vancouver: Art and Artists 1931-1983. Vancouver Art Gallery, 1983.

Duffek, Karen, Authenticity and the Contemporary Northwest Coast Indian Art Market. BC Studies, No. 57, Spring 1983.

Duffek, Karen, The Northwest Coast Indian Art Market (unpublished Master of Arts thesis, University of British Columbia, Dept. of Anthropology and Sociology), 1983.

Duffek, Karen, “Helen Hardin,” In St. James Guide to Native North American Artists. Detroit, MI: St. James Press 1998.

Duffek, Karen, “Emmi Whitehorse.” In St. James Guide to Native North American Artists. Detroit, MI: St. James Press 1998.

Duffek, Karen,“Art, visual (to 1960).” In Encyclopedia of North American Indians. Boston, Mass.: Houghton Mifflin Company.

Duffek, Karen,“Reaching in and taking out: Native American Women Artists in a New Feminism.” In Women Art Educators III. C. Congdon and E. Zimmerman (Eds.), Reston, Virginia: National Art Education Association Press, 1993.

Dunn, Dorothy. American Indian Painting of the Southwest and Plains Areas. Albuquerque: University of New Mexico, 1968.

Dyck, Sandra, Body Language, Ottawa, ON: Carleton University