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ACC
Bibliographic References
* Names in bold
are Aboriginal writers.
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Renwick,
Arthur, Into The Garden Of Angels: Faye Heavyshield,
Toronto, ON: The Power Plant – Contemporary Art
Gallery 1994.
Rice,
Ryan, Roads to Homage (Dolan Badger and John
Powell), Gatineau, QC: Indian Art Centre (INAC) 2001.
Rice,
Ryan, Home Made. Ottawa, Ontario: Gallery 101,
2002.
Rice,
Ryan, “Look Both Ways” In For The
Arts Newsletter, ed. Canada Council for the Arts, Ottawa,
Ontario. 2002.
Rice,
Ryan, “Heart of Matters: New Works By Shelley
Niro,” UCLA Davis, California: Gorman Gallery,
2005
Rice,
Ryan, “Shelley Niro: Matriarch Matters”
In Continuum 12 Artist Series, New York, NY: Smithsonian
National Museum of American Indian, 2004.
Rice,
Ryan, FLOCK. M.A. Thesis, Center for Curatorial
Studies, Bard College, NY. 2004
Rice,
Ryan. "The Road Well Traveled" In Lifeworlds
- Artscapes - Contemporary Iroquois Art, Frankfurt,
Germany: Museum der Weltkulturen, 2003.
Rice,
Ryan. “Presence and Absence: Indian Art
in the 1990's.”In Definition of Visual Culture
V: Globalization and Postcolonialism, Montreal, Quebec:
Musée d’art contemporain de Montréal,
2002.
Rice,
Ryan. Home Project, Ed. Patti Young Kim, 106
press Halifax, Nova Scotia. 2002
Rice,
Ryan. “Swift Currents”, The Hub:
New Work By Eric Robertson, Indian Art Centre, Indian
and Northern Affairs Canada. 2001.
Rice,
Ryan. “Collecting Ourselves,” In
Perpetual Bundle: Selected Works from the Indian Art
Collection of Indian and Northern Affairs Canada, INAC.
2000 (unpublished).
Rice,
Ryan. “Somewhere,” Urban Migration:
Works by Jason Baerg, Indian Art Centre, Indian and
Northern Affairs Canada. 2000.
Rice,
Ryan. “Maintaining a Balance: Works By
Tracey Anthony,” Anatomy of a Searching Soul,
Indian Art Centre, Indian and Northern Affairs Canada.
Rice,
Ryan. “Girl Power,” Longing and Not
Belonging: Rosalie Favell, Indian Art Centre, Indian
and Northern Affairs Canada. 1999.
Rice,
Ryan. “Becoming Identified,” De-colonizing
the Archival Photograph: George Littlechild, Indian
Art Centre, Indian and Northern Affairs Canada 1999.
Rice,
Ryan. “David General: At A Glance...,”
Rear View Mirror: David General, Indian Art Centre,
Indian and Northern Affairs Canada 1998.
Rice,
Ryan, “a true moment: honoring the works
of Clifford Maracle (1944-1996),” Canadian Museum
of Civilization, Hull, Quebec. 1997 (unpublished).
Rice,
Ryan and Barry Ace, “Longing and not Belonging:
Rosalie Favell.” CV Photo. Winter 2000. No.53.
Productions Ciel Variable, Montreal,
Richmond, Cindy, Ruth Cuthand: Artists With Their Work,
Regina, SK: Mackenzie Art Gallery 1990
Rickard,
Jolene. “Sovereignty: A Line in the Sand”
In Strong Hearts: Native American Visions and Voices,
51-54 Aperature Foundation, 1995.
Ringlero,
Aleta M. Only Skin Deep: Changing Visions of
the American Self, (Abrams, 2003).
Robertson, Carmen, Other Space:
6 Degrees of Exploration, Regina, SK: Rosemont Art Gallery
2003.
Robinson, Donald C., Norval Morrisseau:
Honouring First Nations, Toronto,ON: Kinsman Robinson
Gallery 1994
Robinson, Paul C.H., Norval Morrisseau:
The Spirit Within, Toronto, ON: Kinsman Robinson Gallery
1992
Roberge, Gaston. Rita Letendre:
Woman of Llight. Laval, QC: Belle Publisher, 1997
Roosevelt, Anna Curtenius and
James GE Sivith, The Ancestors: Native Artisans of The
Americas, New York, NY: Museum of the American Indian
1979.
Roessel, Robert A. Navajo Arts
and Crafts. Rough Rock, Navajo Nation, AZ: Navajo Curriculum
Center, Rough Rock Demonstration School, 1983.
Rushing, W. Jackson, Native American
Art and the New York Avant-garde: A History of Cultural
Primitivism. Austin, TX: University at Texas Press,
1995.
Rushing, W. Jackson, ed. Native
American Art in the Twentieth Century, New York: Rutledge,
1999.
Ryan,
Allan J. “I Enjoy Being A Mohawk Girl: The Cool
and Comic Character of Shelley Niro’s Photography”
In American Indian Art No. 1 Vol. 20 (Winter 1994) pp.
44
Ryan, Allan J. The Classical Aboriginal
Series: Jim Logan, Whitehorse, YK: Yukon Arts Centre
1994
Ryan,
Allan J., The Trickster Shift - Humour And Irony In
Contemporary Native Art, Washington University and University
of British Columbia Press, 1999.
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