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ACC
Bibliographic References
* Names in bold
are Aboriginal writers.
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Sacred Circle Gallery. “An
Indian Vantage on Cities and Technology.” Studio
Space Vol. II Issue I (Winter 2002): 1-3.
Salomon, Julian Harris. The Book
of Indian Crafts & Indian Lore. New York, London:
Harper & Brothers, 1928.
Schaafsma, Polly. Indian Rock
Art of the Southwest. Santa Fe, NM: School of American
Research, 1980.
Seton, Julia M. American Indian
Arts, a Way of Life. New York: Ronald Press Co., 1962.
Shebageget,
Frank, “Friend of Beavers, Foe of Evil,
Mary Anne Barkhouse,” Ottawa, Ontario: Gallery
101, 2004
Shebageget,
Frank, “Thought Patterns: Hannah Claus,”
Ottawa, Ontario: Gallery 101, 2002
Shebageget,
Frank, “Riding Lines: Nadia Myre,”
Hull, Quebec: Indian Art Center (DIAND), January 2001.
Simpson,
Audra, Renewal: Greg Staats, Gatineau, QC: Indian
Art Centre (INAC) 2000
Simpson,
Audra, “The Empire Laughs Back: Tradition,
Power, and Play in the Works of Shelley Niro and Ryan
Rice.” In Iroquois Art: Visual Expressions of
Contemporary Native American Artists, ed. Sylvia Kasprycki
and Doris Strambau, Frankfurt, Germany: European Review
of Native American Studies, University of Washington
Press, 1998
Six
Nations Indian Museum, Thanksgiving Address:
Greetings to the Natural World, The Tracking Project,
1993
Stambrau, Doris and Sylvia Kasprycki,
Iroquois - Irokesen Art: Visual Expressions Of Contemporary
Native American Artists, Frankfurt, Germany: University
of Washington Press 1998.
Steward, Hilary. Indian Artifacts
of the Northwest Coast. Seattle: University of Washington
Press, 1975.
Stewart, Hilary. Cedar: Tree of
Life to the Northwest Coast Indians. Seattle: University
of Washington Press, 1984.
Swiss Institute. Red River Crossings.
New York: Swiss Institute, 1996.
Sweet,
Jill D. with Ian Berry. Staging The Indian: the Politics
of Representation. Syracuse, New York: The Tang Teaching
Museum and Art Gallery, Skidmore College, 2002.
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